The Demise and Afterlife of Artifacts: Further Reading

Lucia Allais, “Amplified Humanity and the Architectural Criminal,” e-flux Architecture, accessed December 11, 2016 http://www.e-flux.com/architecture/superhumanity/66870/amplified-humanity-and-the-architectural-criminal/

Samir Al-Khalil (Kinan Makiya), The Monument: Art, Vulgarity, and Responsibility in Iraq (London, 1991).

Paula Antonelli and Jamer Hunt, Design and Violence (New York: The Museum of Modern Art Press, 2015).

Sarah Aziza, “Critics of IS are perpetuating its ideals,” Middle East Eye, January 14, 2016.

Walter Benjamin, “Theses on the Philosophy of History,” in Walter Benjamin: Illuminations, ed. Hannah Arendt, trans. Harry Zohn (London: Fontana, 1992), 245–255.

Robert Bevan, The Destruction of Memory: Architecture at War (London: Reaktion Books, 2016).

Matthew Bogdanos, Thieves of Baghdad: One Marine’s Passion for Ancient Civilizations and the Journey to Recover the World’s Greatest Stolen Treasures (New York: Bloomsbury, 2005).

Svetlana Boym, “Ruinophilia: Appreciation of Ruins,” accessed September 10, 2016 http://monumenttotransformation.org/atlas-of-transformation/html/r/ruinophilia/ruinophilia-appreciation-of-ruins-svetlana-boym.html.

Keith Brensnahan and J. M. Mancini, eds., Architecture and Armed Conflict: The Politics of Destruction (New York and London: Routledge, 2015).

Elliott Colla, Conflict Antiquities: Egyptology, Egyptomania, Egyptian Modernity (Durham, NC: Duke University Press, 2008).

Brian Dillon, ed., Ruins: Documents of Contemporary Art (Cambridge, MA: MIT Press, 2011).

Josh Ellenbogen and Aaron Tugendhaft, eds., Idol Anxiety (Stanford, CA: Stanford University Press, 2011).

Jas Elsner, “Iconoclasm and the Preservation of Memory,” in Monuments and Memory, Made and Unmade, eds. Robert S. Nelson and Margaret Olin (Chicago and London: The University of Chicago Press, 2003), 209–232.

Jason Felch, “The Lessons of Palmyra: Islamic State and Iconoclasm in the Era of Clickbait,” The Art Newspaper, April 7, 2016.

Finbarr Barry Flood, “Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum,” The Art Bulletin 84.4 (December 2002): 641–659.

Adrian Forty and Susanne Küchler, The Art of Forgetting (London: Bloomsbury Academic, 2001).

Jean-Michel Frodon, “The War of Images, or the Bamiyan Paradox,” in Iconoclash, eds., Bruno Latour and Peter Weibel (Cambridge, MA: MIT Press, 2002), 221–223.

Erich Fromm, The Anatomy of Destructiveness (New York: Harmondsworth, 1990).

Dario Gamboni, The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (London: Reaktion Books, 2007).

Hannah Ghorashi, “‘This Is a Genocide’: Art Historian Zainab Bahrani on ISIS’s Destruction of Cultural Heritage,” ArtNews, November 11, 2015.

Oleg Grabar, “Islam and Iconoclasm,” in Iconoclasm: Papers from the Ninth Spring Symposium of Byzantine Studies, University of Birmingham, March 1975, eds. Anthony Bryer and Judith Herrin (Birmingham: Center for Byzantine Studies, University of Birmingham, 1977), 45–52.

Oleg Grabar, “Iwan,” Encyclopedia of Islam IV (1973), 287–288.

Christine Gruber, “The Koran Does not Forbid Images of the Prophet,” Newsweek, January 19, 2015.

Evan Hadingham, “The Technology that Will Resurrect ISIS-Destroyed Antiquities,” Public Broadcasting Service: Nova Next, June 9, 2016, accessed August 2, 2016, http://www.pbs.org/wgbh/nova/next/ancient/digital-preservation-syria/.

Monica Hanna, “What Has Happened to Egyptian Heritage after the 2011 Unfinished Revolution,” Journal of Eastern Mediterranean Archaeology and Heritage Studies 1.4 (2013): 371–375.

Ömür Harmansah, “ISIS, Heritage, and the Spectacles of Destruction in the Global Media,” Near Eastern Archaeology 78.3 (September 2015): 170–177.

Gerald R. Hawting, The Idea of Idolatry and the Emergence of Islam: From Polemic to History (Cambridge: Cambridge University Press, 2000).

Andrew Herscher, Violence Taking Place: The Architecture of the Kosovo Conflict (Palo Alto, CA: Stanford University Press, 2010).

Immanuel Kant, Critique of Pure Reason, trans. Paul Guyer and Allen W. Wood (Cambridge: Cambridge University Press, 1998).

David Karmon, The Ruin of the Eternal City: Antiquity and Preservation in Renaissance Rome (Oxford: Oxford University Press, 2011).

Hugh Kennedy, “From Polis to Madina: Urban Change in late Antique and Early Islamic Syria,” Past & Present: A Jounal of Historical Studies 106 (1985): 3–27.

Bruno Latour, “What is Iconoclash? Or is there a World Beyond the Image Wars?,” in Iconoclash: Image Wars in Science, Religion and Art, eds. Bruno Latour and Peter Weibel (Cambridge, MA: The MIT Press, 2002), 14–37.

Bruno Latour, We Have Never Been Modern (Cambridge: Harvard University Press, 1993).

Claude Lévy-Leboyer, ed., Vandalism: Behaviour and Motivations (Amsterdam, New York and Oxford, 1984).

David Lowenthal, “Material Preservation and Its Alternatives,” Perspecta 25 (1989): 67–77.

David Lowenthal, Possessed by the Past: The Heritage Crusade and the Spoils of History (New York and London, 1996).

John Henry Merryman, Stephen K. Urice, and Albert Elsen, Law, Ethics, and the Visual Arts (Washington DC: Aspen Publishers, 2007).

Daniel Miller, Materiality (Durham, NC, and London: Duke University Press, 2005).

Nicholas Mirzoeff, “Photography and Death,” in An Introduction to Visual Culture (London and New York: Routledge, 1999), 119–126.

Timothy Mitchell, Colonizing Egypt (Berkeley, CA: University of California Press, 1991).

Mia M. Mochizuki, “Iconoclasm,” in The Oxford Handbook of Religion and the Arts, ed. Frank Burch Brown (New York: Oxford University Press, 2014), 310–320.

Lynn H. Nicholas, The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War (New York: Knopf, 1994).

Linda Nochlin, “Museums and Radicals: A History of Emergencies,” Art in America, 59.4 (1971): 26–39.

Pierre Nora, “Between Memory and History,” Representations 26, Special Issue: Memory and Counter-Memory (Spring, 1989):7–24.

Jorge Otero-Pailos, “Experimental Preservation,” Places Journal, September 2016, accessed September 14, 2016, http://placesjournal.org/article/experimental-preservation/.

Nasser Rabbat, “Heritage as a Right: Heritage and the Arab Spring,” International Journal of Islamic Architecture 5.2 (2016): 267–278.

Nasser Rabbat, “They Shoot Historians, Don’t They?” Artforum (November 2015).

Nasser Rabbat, “The Iwans of the Madrasa of Sultan Hasan,” in Mamluk History Through Architecture: Building, Culture, and Politics in Mamluk Egypt and Syria (London: I. B. Tauris, 2010), 104–11.

Melissa Renn, “Fine Arts under Fire: Life Magazine and the Display of Architectural Destruction,” in Architecture and Armed Conflict: The Politics of Destruction, eds. Keith Brensnahan and J. M. Mancini (New York and London: Routledge, 2015), 72–86.

Clare Scott, “3D Printed Replicas of ISIS-Destroyed Temple to be Constructed in New York City and London,” 3DPrint (December 28, 2015).

W.G. Sebald, On the Natural History of Destruction, trans. Anthea Bell (New York: Modern Library Publishers, c. 2004).

Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics (Berkeley and Los Angeles: University of California Press, 2007).

Laurajane Smith, Uses of Heritage (London and New York: Routledge, 2006).

Special issue, “On 9/11,” Grey Room 7 (Spring 2002).

Special issue, “Cultural Heritage and the Arab Spring: War over Culture, Culture of War and Culture War,” The International Journal of Islamic Architecture 5.2 (July 2016).

Special issue, “The Cultural Heritage Crisis in the Middle East,” Near Eastern Archaeology 78.3 (September 2015).

Special issue, “Iraq: People and Heritage,” The Middle East in London Magazine 11.4 (June-July 2015).

Adam Taylor, “The Problem with Rebuilding a Palmyra Ruin Destroyed by ISIS—Does It Simply Help Assad?,” The Washington Post, April 20, 2016.

Erin L. Thompson, Possession: The Curious History of Private Collectors from Antiquity to the Present (New Haven, CT: Yale University Press, 2016)

Charles Tripp, “The Artifice of the Destruction of Art in Iraq,” The Middle East in London Magazine 11.4 (June-July 2015): 11–12.

Heghnar Watenpaugh, “Preserving the Medieval City of Ani: Cultural Heritage between Contest and Reconciliation,” Journal of the Society of Architectural Historians 73.4 (December 2014): 528–555.

“Weekly Reports,” Cultural Heritage Initiatives, http://www.asor-syrianheritage.org/weekly-reports/.

Gwendolyn Wright, The Politics of Design in French Colonial Urbanism (Chicago: University of Chicago Press, 1991).

Nick Yablon, Untimely Ruins: An Archeology of American Urban Modernity 1819–1919 (Chicago: University of Chicago Press, 2009).